Well, my list of the #top10charters has now come to an end, so here and in an upcoming post I’ll list them for posterity, and for those of you not following me on Twitter. It was a fun little experiment. What makes a charter top ten material is wildly subjective: some of them show interesting things about the way documents were used, others about specific historical moments, others about longer-term trends; some were the most elevated of politics, and others snapshots of individual life. Into this latter category falls:
“… I offer to our Lord and Saviour… an exquisite silver cross… with the wish and desire that He who, by his death hanging on the wood of the Cross, destroyed death and defeated the Devil might deign to wipe out the weight of my crimes…”
It goes without saying that the Cross has always been important for Christians, and this was no less true for tenth-century Christians. The abbots of Saint-Martin of Tours – who, by 975, had also been the Robertian rulers of Neustria for almost a century, and whose contemporary representative Hugh Capet was Adelelm’s lord and host the assembly at which this gift was made – had as one of the key visual representations of their authority the fact that they signed their documents, explicitly, with the sign of the Holy Cross. Nonetheless, Adalelm is doing something interesting here. He’s participating in a renewed Cross-focussed spirituality, and he’s also picking up on an artistic trend for making large, monumental crucifixes, which at this time were becoming more common in the Ottonian empire. This was quite important for the Church in the area around Orléans – this 975 charter is actually the first evidence for monumental crucifixes in the Orleanais. And it was pretty substantial – thanks to a later description of it, it seems likely that this cross was made of about ten kilos of silver.
In light of the solemnity of the occasion, the charter offers a meditation on the role of the Cross in the salvation of mankind, and it’s this which makes it worthy of a spot on this list. The role of charters was to communicate information, but this information wasn’t just legal. A charter was as much a sermon as a notification of donation – in the charter, Adalelm communicates to the audience not just that he’s given Fleury some holy bling and land near Sens, but why he’s done it and how the sacrifice of Jesus works for him and the whole world.
“Let everyone who sees this horn know that Count Albert… enriched this horn with sacred relics…”
As the picture indicates, this is not a single sheet of parchment, or a cartulary copy of a text. This is in fact an ivory horn. But it is no less a charter – the text inscribed on it uses the formulae of charters, albeit in this case of a short charter. What’s particularly interesting about this one is that the donation and the text recording it are identical. This isn’t how we use documents nowadays, but it was much more common in the earlier medieval period. At least in some cases, the issuance of a (parchment) charter text served itself as a symbol of the donation, aiding in the performance of handing over property from one party to another. This horn is probably the epitome of this way of using the written word.
“…by divine clemency, because the situation made it necessary, with the support of all the princes, We took up the sceptre of royal majesty to steer the ship of the kingdom…”
This is the only charter on this list that isn’t important to me because of work I’ve done on it, but rather because, if it weren’t for Geoffrey Koziol’s work on this charter, I’d never have worked on any of the others. We’ve mentioned here before how Robert of Neustria rose in rebellion against Charles the Simple; and, as Koziol, demonstrates very clearly, this document is not simply a donation, but a manifesto very specifically justifying Robert’s actions and his claim to the throne. I don’t agree with everything Koziol says, but his article is fantastic.
“…so that the mercy of the pious Redeemer might be well-disposed to concede His help and aid to me, Geoffrey, caught up in the whirlwinds of worldly wars…”
I’m going to be a bit less fulsome with these last two. Here, it’s because I wrote about this charter for my thesis and when that eventually becomes a book, this document is going to feature prominently; so, you know, spoiler warning…
What I will say about it is, whatever my own very particular theories, this charter commemorates what may be the single most cynical ‘reform’ of a monastery in the tenth century. Saint-Aubin had been ruled by Geoffrey’s ancestors as count of Anjou as lay abbots, but by the 960s it was under the rule of his brother Guy, who might have been a cleric but probably wasn’t a monk. A very strange charter exists in which Guy appears to say that he tried and failed to be a good abbot, and so turned it over to monks out of Saint-Remi de Rheims. However, Geoffrey appears to have used the opportunity to assert his control over the abbey, and Geoffrey’s son Fulk Nerra even more so: the counts of Anjou appear to have disposed of Saint-Aubin’s land to reward their own followers. This lack of interest in reform for its own sake comes through in the document itself: ‘Supposedly,’ Geoffrey says, ‘monasticism flourished in the monastery once upon a time; but because there’s no obvious proof, We don’t care whether it flourished or not’.
“I myself, and another woman dedicated to God, Godeleva by name, joined to me in both body and soul…”
This one I won’t say anything about at all, because I have promised a whole blog post about the Lesbian Nun Property Magnate Commune of Chartres before, and by thunder, a whole blog post you will get… Possibly soon, although not this week. The week after is a possibility, though. Also, I’ll be posting part 2 of this countdown soon, outside my normal schedule for posts – so stay tuned!